Author: Katie

  • December classes and workshops Attic Studio Amsterdam / click here to into the site menu.

    December classes and workshops Attic Studio Amsterdam / click here to into the site menu.

    Body Body Body Classes How and why we learn to walk, Baby studies; “Body is the teacher that taught us to move – Dance is fancy walking”.  Combining the work I did with Trout Fagioni in Italy in the late 70’s and 80’s, Mary Wigman studies; “Create a space for something to happen – limb direction in…

  • Emil Schüler “The Kite”

    Emil Schüler applies his exploration of varying techniques of the body to combine dance and storytelling into a audio-visual performance.Indulging the potential of a symbiotic relationship between forethought and presence, poetic composition serves as the red thread around which the web of improvisation is woven. The Kite is hope, belonging and belief in the face…

  • October to December 2021 continuing BODY BODY BODY classes

    October to December 2021 continuing BODY BODY BODY classes

    Attic Studio Wilhelminastraat 139-3, 1054WC Amsterdam. 16:00-18:00 Wednesday and Friday. Live classes limited to 6 people. Registration in advance: katieduckmail@gmail.com (classes will continue in 2022)

  • Attic Studio: Performances

    Attic Studio: Performances

    A platform for performance artists to celebrate multidisciplinary, to experiment and gather in diverse collectives 2021 October 24, November 7, 12 and 14, December 2022 19 January 16 and 23 Wilhelminastraat 139-3 ring the top bell Door open 19:00 performance begins 19:30 10 EUR towards the artists. 15 max per night. Information about each performance…

  • Mary Oliver February 4 and 25 Workshop Tuesday workshops OT301

    Improvisation and Instant Composition The aim of this workshop is to develop conscious presence while improvising in a performance. Each session begins with exercises that explore relationships between thought, movement and presence in the immediate environment. By promoting a greater awareness of sensory input, the performer becomes better equipped to interact with their internal and…