Katie Duck: Dance, Teaching, Performance
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Debate after the Improjunction festival Pushkar India March 2014 / CI and ramifications of the word “Jam”
Karthik Raj So inspired after the Goa contact festival and now Improjunction (Pushkar)! Need to create a space for Improvisation and exploration in Bangalore. All you dancers/musicians/actors/artists in Bangalore, lets find a way to come together and not be stuck in our usual patterns. I’m trying to figure out a way for us to meet…
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Archive Freakatoni Witchy Sunday 2013-14
Freakatoni witchy Sunday OT301 Anamorphic studio Archive. Curated by Alfredo Genovesi unless announced else wise. 2014 January 26 Set 1 10 minutes dance/performance: Katie Duck and Rakesh Sukesh / music: Alfredo Genovesi : Acoustic guitar / 20 minuets vocals/dance: Vilbjorg Broch / music: Albert Manders (flute) Set 2 30 minutes music: Kathy Ziegler: guitar. accordion, vocals / Lily Kiara: dance / Jong-kag Park (Kage) (electronics) February…
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Freakatoni witchy Sundays OT301 Overtoom 301, Amsterdam
OT301 AnaMorphic space (top floor) doors open 20:00. Performance begins 20:30. €5 entrance fee. Freakatoni witchy Sundays are held on every other last Sunday of the month September, November, January, March, May. It is a on going performance project in Amsterdam. It was born out of the MAGPIE improvisation summer course Amsterdam (2009-14) where Freakatoni witchy…
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DANCE REVIEW – A PAIR OF MOVING TALES WELL TOLD
MAGPIE Music … light up the stage at Sushi By Jennifer de PoyenDANCE CRITIC December 14, 2004 Sushi Performance & Visual Art has always been home to alternative voices. So it’s fitting that in this season of holiday shows, the city’s leading presenter of cutting-edge dance and performance presented some serious (albeit seriously fun) dancing.…
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REVIEW: HIGH STAKES – Erk Aschengreen –
Berlingske Tidende 18/1/02 A fair share of both prizes and blanks in Dansecenens Improvisationslottery. To use improvisation, not just as a working process and preparation for a dance piece but also at that very moment a dancer stands on stage is to play high stakes. This is clearly evident in the immensely well-organized improvisation festival…
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